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PD_01
SUPERNATURAL/ALICE
ENLITE VISION
PRODUCT
ATHENS 2017
![0L2A1539.jpg](https://static.wixstatic.com/media/47c501_ada33ee5e61f487fa9fef05ca4dc982f~mv2.jpg/v1/fill/w_600,h_900,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/0L2A1539.jpg)
PD_02
BETA TITANIOUM
ENLITE VISION
PRODUCT
ATHENS 2017
![30081f8a89d633ee2f3bab1c7ebfe69fac5140fe_1-1.jpeg](https://static.wixstatic.com/media/47c501_d49013e564da4befbbe9a7cd28dcb7b6~mv2.jpeg/v1/crop/x_0,y_0,w_534,h_717/fill/w_376,h_505,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/30081f8a89d633ee2f3bab1c7ebfe69fac5140fe_1-1.jpeg)
PD_03
MEHR DES WENIGER ICH
KIMO
PRODUCT
ATHENS 2017
![insta vyzakia-03.png](https://static.wixstatic.com/media/47c501_12a1ba706c244231b1e6cbaa6d3d95b2~mv2.png/v1/fill/w_600,h_600,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/insta%20vyzakia-03.png)
PD_04
KELLY TRAY
KIMO
PRODUCT
ATHENS 2016
![9.png](https://static.wixstatic.com/media/47c501_0d1d23a1984b4ffcaf5acbb7f69243e8~mv2.png/v1/fill/w_721,h_500,al_c,lg_1,q_90,enc_avif,quality_auto/9.png)
PD_05
SECOND PLATEAU
KANELLOS GLASS
PRODUCT
ATHENS 2019
![Uniconic table1.jpg](https://static.wixstatic.com/media/47c501_44d9df3774f54df4b83b20b91a92535c~mv2.jpg/v1/fill/w_622,h_523,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/Uniconic%20table1.jpg)
ΙD_01
DORM & PRIVATE ROOMS
CIRCUS HOSTEL
INTERIOR
BERLIN 2016
![DSC06394.jpg](https://static.wixstatic.com/media/47c501_1e137fa0e9eb45dd9f299d968d5c226b~mv2.jpg/v1/fill/w_859,h_573,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/DSC06394.jpg)
RΕ_01
DEVELOPING LANDSCAPE
D.A.E.
RESEARCH
EINDHOVEN 2022
![developing-landscape8.png](https://static.wixstatic.com/media/47c501_c086d5aa5da44966b469fde0902146ae~mv2.png/v1/fill/w_1077,h_606,al_c,q_90,usm_0.66_1.00_0.01,enc_avif,quality_auto/developing-landscape8.png)
How can rewilding as a human-centered practice entail and reinforce a binary spectrum of modes of conviviality between human and more than human ecologies/realities? Developing Landscape evokes the notion of a fabricated landscape by looking into ecological corridors and management of the landscape in the Netherlands. Although the imagery refers back to traditional nature documentaries, the focus is shifted to the figure of a forest guard that becomes a predatory and observing figure in this landscape.
RΕ_02
I KNEW I WAS DIFFERENT
D.A.E.
RESEARCH
EINDHOVEN 2022
![GeoDesign_220618105.jpg](https://static.wixstatic.com/media/47c501_16dc9106c5b64195b89f67f780ffbf04~mv2.jpg/v1/fill/w_1009,h_673,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/GeoDesign_220618105.jpg)
An archive that speaks of geographies of bodies and multi-directional movements in relation to the affirmation and suppression of identity. Each of the stories affirms how each identity always develops in relation to a geographic dimension. They all reveal the urgency of expanding certain narratives in all places to make them safe. It was powerful to connect individual stories from different geographical contexts around the world, which now powerfully come together in a great collective need to exist everywhere.
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